Play Along Piano

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Bach

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	3	5	100%
	13	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	3	5	100%
	13	2	4	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	13	2	4	100%
Contrabass	10	2	3	50%

Nun danket alle Gott - Partitur mit Vorspiel

acastl

2:49	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I/3	14	0	4	6	100%
I/4	16	0	4	4	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I/3	14	4	6	100%
I/4	16	4	4	100%
I/2	11	2	7	99%
I/1	12	3	7	98%
II/1+2	9	1	4	67%
II/3+4	17	2	4	67%

Bach preludium #1: Orchestral version

Marcosà

2:22	Est. Play Time
35	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
Violoncello	10	0	2	2	74%
Flute	16	0	3	3	69%
B Clarinet	15	0	5	1	51%
Bassoon	7	0	0	1	46%
Contrabass	7	0	2	1	43%
F Tuba	5	0	0	1	37%
Trombone	11	0	1	3	37%
Horn	8	0	4	2	34%
Harp	15	1	2	2	31%
	9	1	1	5	21%
B Trumpet	9	0	3	1	20%
Oboe	4	0	1	2	20%
Timpani	7	0	1	3	20%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	13	2	5	100%
	18	3	5	100%
	18	3	5	100%
Soprano/Alto	13	2	5	100%
Tenor/Bass	18	3	5	100%
Contrabass	15	2	5	50%

Twinkle, Twinkle, Little Star

Dhoelz123

1:16	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		6	0	2	1	100%
		6	0	2	1	75%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		6	0	2	1	100%
		6	0	2	1	75%

Concerto BWV974 (Adagio) Bach/Marcello for Brass Quintett

small family brass

4:18	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete	21	0	7	10	93%
	9	0	2	4	77%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete	21	7	10	93%
	9	2	4	77%
	9	3	4	63%
Tenor Posaune	11	2	4	86%
Tuba	11	2	5	70%
Horn in F	9	3	4	63%

14 Canons (BWV 1087) - J. S. Bach

Stephen Calgaro

12:03	Est. Play Time
204	Measures
	1,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	6	0	0	3	4%
	19	0	5	5	19%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	6	0	3	4%
	19	5	5	19%
	23	6	6	76%
	20	4	6	92%
	20	2	5	53%
	17	2	4	93%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
	19	1	4	6	100%
	19	1	4	6	100%
Soprano/Alto	13	0	2	5	100%
Tenor/Bass	19	1	4	6	100%
Contrabass	15	0	2	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	2	100%
	13	0	2	2	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	2	100%
	13	2	2	100%
	18	3	2	100%
	18	3	2	100%
Soprano/Alto	13	2	2	100%
Tenor/Bass	18	3	2	100%
Contrabass	11	2	2	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	2	4	100%
	12	0	2	4	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	2	4	100%
	12	2	4	100%
	15	3	5	100%
	15	3	5	100%
Soprano/Alto	12	2	4	100%
Tenor/Bass	15	3	5	100%
Contrabass	11	2	3	50%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	3	5	100%
	12	0	3	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	3	5	100%
	12	3	5	100%
	20	3	3	100%
	20	3	3	100%
Soprano/Alto	12	3	5	100%
Tenor/Bass	20	3	3	100%
Contrabass	15	2	3	54%

31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.

SDG

1:00	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	2	4	100%
	12	0	2	4	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	2	4	100%
	12	2	4	100%
	21	4	3	100%
	21	4	3	100%
Soprano/Alto	12	2	4	100%
Tenor/Bass	21	4	3	100%
Contrabass	15	2	3	53%

J.S. Bach – Chorale «Was Gott tut das ist wohlgetan» for AIR Trio & Bass guitar

Aquarius-Ru

1:42	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Saxophone Tenor	16	0	4	6	95%
Cornet or Trumpet	12	0	2	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Saxophone Tenor	16	4	6	95%
Cornet or Trumpet	12	2	6	92%
Saxophone soprano	12	2	6	87%
Bass Guitar	15	2	4	67%

309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.

SDG

0:54	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	3	5	100%
Tenor/Bass	18	0	5	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	3	5	100%
Tenor/Bass	18	5	5	100%
Contrabass	13	2	5	50%
Bass	3	0	2	6%

Fugue for Violin, Cello and Double Bass [Original]

Verlenzius

1:29	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	3	5	100%
Violin	15	3	4	83%
Contrabass	16	2	3	65%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	3	5	100%
Violin	15	3	4	83%
Contrabass	16	2	3	65%

Prelude 1 Book 2 Bach WTC

Saxonzs

0:23	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	10	3	12	84%
		19	2	2	8	78%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_1		17	10	3	12	84%
		19	2	2	8	78%

Fugue in C Major by J.S. Bach BWV 553

Nednedflanders

1:19	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	8	0	2	7	96%
Horn in F	9	0	2	5	93%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	8	2	7	96%
Horn in F	9	2	5	93%
Trombone	11	2	5	67%
Tuba	11	0	5	56%

34. Christe, der du bist Tag und Licht. BWV 274. Johann Sebastian Bach.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	2	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	2	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	3	50%

3. Ach Gott und Herr, BWV 255.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	1	4	100%
	18	0	3	2	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	1	4	100%
	18	3	2	100%
Soprano/Alto	12	1	4	100%
Tenor/Bass	18	3	2	100%
Contrabass	13	2	2	50%